My name is Xiaoyue. I share the same face as my brother—the same sharp jawline, the same dark brown eyes, the same slight dimple on the left cheek when we smile. But I never smile anymore. Not since I understood what that mirror image truly meant.
He is the eldest. I am the second. In our family, the eldest inherits the slaughterhouse, the land, the name. The second son inherits nothing but a date with the knife.
I press my palm flat against the cool glass of the floor-length mirror in my bedroom. My reflection stares back, perfect and obedient. We are identical in every way except the tiny scar above my brother’s right eyebrow—a souvenir from a childhood fall I didn’t take. If I tilted my head, let my hair fall just so, no one could tell us apart. Not that anyone would want to.
“Xiaoyue!” His voice booms from downstairs, sharp and impatient. “The pigs need hosing down. Move your useless ass.”
I flinch, then smile. He always calls me when the work is dirty. When the blood needs scrubbing from the concrete floors. When the carcasses need quartering and the flies need shooing. I am the second son. I am the hands that do the work no one wants to claim.
But I don’t mind. Every time he shouts my name, I feel seen. Every time his eyes land on me—cold, disgusted, yet undeniably focused—I feel the warmth spread through my chest like honey.
I lean closer to the mirror. My fingers trace the line of my collarbone, the soft skin below my jaw. I close my eyes and imagine it is his hand instead. His rough, calloused palm, still warm from gripping a slaughter knife, sliding down my throat, following the curve of my shoulder. I imagine his breath on my neck, his lips brushing my ear as he whispers something cruel—something only he could say.
A shiver runs through me.
“Xiaoyue!” Louder now, with the scrape of a chair pushed back.
“Coming, brother!” I call out, my voice sweet and high. I let my fingers linger on my reflection one more second, tracing the shape of my own mouth. Then I turn away, straightening my shirt—the same white cotton he wears, though mine is always a little too big, a little too clean.
I walk to the door and pause. In the mirror, my back faces me, but I know he is still there, watching from the other side of the glass. Waiting.
I want to give him everything. My hands, my legs, my heart, my throat. I want to kneel before him in the slaughterhouse yard, let him put a rope around my neck, and finally be claimed as what I was born to be.
The livestock.
I open the door and descend the stairs, my bare feet silent on the worn wood. The smell of old blood and fresh sawdust fills my nose, and I breathe it in like perfume.